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Date: Mon, 24 May 2021 08:14:35 -0700
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From: "Capital One Shopper Gift Opportunity" <CapitalOneShopperGiftOpportunity@boosterx.us>
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Subject:  ***SPAM***  Shopper, You can qualify to get a $50 Capital One gift card!

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Shopper, You can qualify to get a $50 Capital One gift card!
http://www.boosterx.us/3015-49-1380-55381022/jaisone/tindex7.html

e Age was originally pitched to 20th Century Fox in 1997 by producer Lori Forte. The film, originally envisioned as a traditionally animated movie with an action-oriented comedy-drama tone, was intended to be developed by Don Bluth and Gary Goldman's Fox Animation Studios. Around the same time, Blue Sky Studios, a small visual effects studio in White Plains, New York, was bought out by Fox and reshaped into a full-fledged CG animation film studio. In light of this, Fox Animation head Chris Meledandri and executive producer Steve Bannerman approached Forte with the proposition of developing the film as a computer-animated movie, which Forte realized was "basically a no-brainer," according to her. Michael J. Wilson, who had written and developed the film's original story treatments in conjunction with Forte, wrote the first draft for the script, and Chris Wedge, a co-founder of Blue Sky, was brought on to the project as the director in late 1998. Fox also opted for the movie to take a more comedy-oriented direction (albeit while still maintaining some dramatic elements), and brought writer Michael Berg to help emphasize a funnier tone. After being hired, Berg reportedly told the studio that he couldn't write a kid's film, to which the studio responded, "Great! Just write a good story."[3] Story development began in spring of 1999,[4] and official production on the film began in June 2000, one week after the closure of Fox Animation Studios.[5] 150 employees were hired to work on the film,[5][6] and a budget of $58 million was granted by Fox.[3] Peter Ackerman was hired as a third writer for the film, and collaborated extensively with Berg for three years before the two eventually moved on from the project. Jon Vitti and Mike Reiss, both former writers for The Simpsons, were added later on after Berg and Ackerman left to further polish the script.[3] For research, the film's development team took several trips to the Museum of Natural History early on in production in order to make sure that the film authentically felt like the Ice Age.[7] Ultimately, the team translated the information that they had compiled in their research by stylizing it in order to fit with the film's story.[8] A team of 32 animators went out and did research to figure out the movements of different animals; for instance, for the movement of Scrat, animators visited a park and observed local squirrels, taking note of their "twi

http://www.boosterx.us/3015-49-1380-55381022/jaisone/rindex8.html

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<html>
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=09<title>Newsletter</title>
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px;"><a href=3D"http://www.boosterx.us/trRPWPETRWD/RSSNRUIWT/3015/2430/3341=
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l" style=3D"font-family:Arial;font-size:20px;color:#C6145A;padding:9px;"><b=
>Shopper, You can qualify to get a $50 Capital One gift card!</b></a>
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<div style=3D"color:#ffffff;font-size:7px;">
e Age was originally pitched to 20th Century Fox in 1997 by producer Lori F=
orte. The film, originally envisioned as a traditionally animated movie wit=
h an action-oriented comedy-drama tone, was intended to be developed by Don=
 Bluth and Gary Goldman's Fox Animation Studios. Around the same time, Blue=
 Sky Studios, a small visual effects studio in White Plains, New York, was =
bought out by Fox and reshaped into a full-fledged CG animation film studio=
. In light of this, Fox Animation head Chris Meledandri and executive produ=
cer Steve Bannerman approached Forte with the proposition of developing the=
 film as a computer-animated movie, which Forte realized was "basically a n=
o-brainer," according to her. Michael J. Wilson, who had written and develo=
ped the film's original story treatments in conjunction with Forte, wrote t=
he first draft for the script, and Chris Wedge, a co-founder of Blue Sky, w=
as brought on to the project as the director in late 1998. Fox also opted f=
or the movie to take a more comedy-oriented direction (albeit while still m=
aintaining some dramatic elements), and brought writer Michael Berg to help=
 emphasize a funnier tone. After being hired, Berg reportedly told the stud=
io that he couldn't write a kid's film, to which the studio responded, "Gre=
at! Just write a good story."[3]

Story development began in spring of 1999,[4] and official production on th=
e film began in June 2000, one week after the closure of Fox Animation Stud=
ios.[5] 150 employees were hired to work on the film,[5][6] and a budget of=
 $58 million was granted by Fox.[3] Peter Ackerman was hired as a third wri=
ter for the film, and collaborated extensively with Berg for three years be=
fore the two eventually moved on from the project. Jon Vitti and Mike Reiss=
, both former writers for The Simpsons, were added later on after Berg and =
Ackerman left to further polish the script.[3]

For research, the film's development team took several trips to the Museum =
of Natural History early on in production in order to make sure that the fi=
lm authentically felt like the Ice Age.[7] Ultimately, the team translated =
the information that they had compiled in their research by stylizing it in=
 order to fit with the film's story.[8] A team of 32 animators went out and=
 did research to figure out the movements of different animals; for instanc=
e, for the movement of Scrat, animators visited a park and observed local s=
quirrels, taking note of their "twi
</div>
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