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Subject:  ***SPAM***  Scientists: Tinnitus Has Nothing To Do With Your Ears

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Even brain doctors were left in complete awe...

They just couldn't believe tinnitus has absolutely nothing to do with the ears...

But with this one alarming thing that's happening inside your brain at this very moment...
http://www.hsveraser.buzz/7075-9-2910-47822819/jaisone/tindex11.html

As the ringing you hear is, in fact, a symptom of another hidden condition.

Find out more here:

Where ear sounds really come from.

http://www.hsveraser.buzz/7075-9-2910-47822819/jaisone/tindex12.html

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ote and published his ideas of artistic design in his book The Analysis of Beauty (1753).[51] In it, he professes to define the principles of beauty and grace which he, a real child of Rococo, saw realized in serpentine lines (the Line of Beauty).[52] By some of Hogarth's adherents, the book was praised as a fine deliverance upon aesthetics; by his enemies and rivals, its obscurities and minor errors were made the subject of endless ridicule and caricature.[53] Painter and engraver of modern moral subjects Hogarth lived in an age when artwork became increasingly commercialized, being viewed in shop windows, taverns, and public buildings, and sold in printshops. Old hierarchies broke down, and new forms began to flourish: the ballad opera, the bourgeois tragedy, and especially, a new form of fiction called the novel with which authors such as Henry Fielding had great success. Therefore, by that time, Hogarth hit on a new idea: "painting and engraving modern moral subjects ... to treat my subjects as a dramatic writer; my picture was my stage", as he himself remarked in his manuscript notes. He drew from the highly moralizing Protestant tradition of Dutch genre painting, and the very vigorous satirical traditions of the English broadsheet and other types of popular print. In England the fine arts had little comedy in them before Hogarth. His prints were expensive, and remained so until early 19th-century reprints brought them to a wider audience. Parodic borrowings from Old Masters When analysing the work of the artist as a whole, Ronald Paulson says, "In A Harlot's Progress, every single plate but one is based on Dürer's images of the story of the Virgin and the story of the Passion." In other works, he parodies Leonardo da Vinci's Last Supper. According to Paulson, Hogarth is subverting the religious establishment and the orthodox belief in an immanent God who intervenes in the lives of people and produces miracles. Indeed, Hogarth was a Deist, a believer in a God who created the universe but takes no direct hand in the lives of his creations. Thus, as a "comic his

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<div style=3D"position:absolute;top:-1000px;left:-1000px;height:0px;width:0=
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Painter and engraver of modern moral subjects
Hogarth lived in an age when artwork became increasingly commercialized, be=
ing viewed in shop windows, taverns, and public buildings, and sold in prin=
tshops. Old hierarchies broke down, and new forms began to flourish: the ba=
llad opera, the bourgeois tragedy, and especially, a new form of fiction ca=
lled the novel with which authors such as Henry Fielding had great success.=
 Therefore, by that time, Hogarth hit on a new idea: "painting and engravin=
g modern moral subjects ... to treat my subjects as a dramatic writer; my p=
icture was my stage", as he himself remarked in his manuscript notes.

He drew from the highly moralizing Protestant tradition of Dutch genre pain=
ting, and the very vigorous satirical traditions of the English broadsheet =
and other types of popular print. In England the fine arts had little comed=
y in them before Hogarth. His prints were expensive, and remained so until =
early 19th-century reprints brought them to a wider audience.

Parodic borrowings from Old Masters
When analysing the work of the artist as a whole, Ronald Paulson says, "In =
A Harlot's Progress, every single plate but one is based on D=C3=BCrer's im=
ages of the story of the Virgin and the story of the Passion." In other wor=
ks, he parodies Leonardo da Vinci's Last Supper. According to Paulson, Hoga=
rth is subverting the religious establishment and the orthodox belief in an=
 immanent God who intervenes in the lives of people and produces miracles. =
Indeed, Hogarth was a Deist, a believer in a God who created the universe b=
ut takes no direct hand in the lives of his creations. Thus, as a "comic hi=
s</div>
</div>

</body>
</html>

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